The forest floor was without trees. NELSON ROMERO GUZMAN writing processes are summaries of events in which the picture usually emerges as the center of many ideas, from which the author expresses his views of world and his particular vision of man and existence. Thus, when the literary image emerges, her evocations become aware of reality, while emerging from the unconscious representations of what the writer assumes social as its relations with the context and assessment of the socio-cultural phenomena that take place in the mental world, not only in the poet, but every man, for all their own way, are victims of the subconscious that inhabit them.
From this perspective, it is possible to approach the poem 6 of the book masonry works of Nelson Romero Guzmán, Tolima pretty renowned writer in the field of Colombian poetry. As the poem itself consists of three lines, I take the audacity to put the consideration of the reader to make a judicious reading of the representations on the writing process behind it: In the eyes
grass grows,
Mount is the word,
writing is impenetrable.
When doing a first reading is obvious drop in meditation is the same poem. From simple images, apparently, the author manages to establish criteria of unity around nature, evoked by words such as grass and woods, to the displayed original ways, reminiscent of a growing green background and a little spring, however, these words are guided by other, conflicting, which begin the process of symbolization and make the image it becoming a much more advanced and rich interpretations. These words seem to have no direct effect on the level of reality, however, when the word precedes eye to grass, and also accompanied by action to grow, the image turns into beautiful poetic nuances, according to which the eye is filled with grass, to understand how all those images of the objective world that surround us and fill bubbling the inert look of those who can only look and look, as in the poem "What I can whore?" Jaime Sabines.
So, in a second look at the poem (mandatory in itself) no longer look at images separately, but we assume the universe is overflowing in just three lines, as sufficient to the level of imagination is no less than love of them, revealing mysteries and truths that set the imagination of the creative act, as the verse is the word hill above condition the fact of the surprised look in the grass, the world, reality, the objective is materialized and acidic saliva, which calls out in the direction of daring and pen, business, clear.
However, other senses power image thinning seemingly beautiful creative process, especially when the light is trapped in the line is impenetrable writing, as in this case, we remember the first initial interpretations and meanings, in grass and forest that lead to the plane of nature, contact with the world beautiful verdant, que ahora se torna oscuro, extraño, inhabitable impenetrable.
Así, impenetrable es una representación simbólica de bosque, de selva, sin follaje, más bien llena de fango, de impedimentos, trabas y ramas que cortan, duelen, astillan, porque sólo así se entiende que monte ya nos había contaminado de esta imagen, que la anticipaba desde la segunda línea y que caíamos en el juego del lenguaje con múltiples sentidos, según el cual los ojos llenos de imágenes se abrían en cantidades de intentos por abrazar la escritura, fallidos, inútiles como la llama inútil de Borges –su ceguera-, como la sombra de Asterion . Ultimately only that, attempts nothing concrete, nothing jewelry gun, which entremoja on the lips and the tip of the pen but never comes out because there is, because to find it would have to penetrate and it is impossible, it is impenetrable, because is the creative act, possible only by the word, so alien to our lips into our mouths, useless, useless.
Nelson Romero is the author with the words, you know use them, but knows that to find them must die at any attempt to represent them beyond the obvious. This is just combine them, imagine them in an incestuous intercourse in which two or more sisters to create other words caress disjointed, strange, useless. In these verses
attended the meeting of three sisters devoid of ambition but full of magic, simple words that reveal worlds of stillness, calm, impenetrable lots, write fails, the impossible, failures, like going to a forest with many trees of good and evil and do not even have an ax to splinters. OMAR ALEJANDRO GONZÁLEZ
FILE: ROMERO, Guzman, Nelson. brickwork. Bogotá Mayor's Office, 2007. Award winning national literary Bogotá.
0 comments:
Post a Comment